"I'm a self-proclaimed multicultural internationalist matriarchal revolutionary socialist," musician Fred Ho told the InterArts students during his guest lecture last Friday. "I don't separate art and politics; for me, they're inseparable." Fred Ho, along with The Afro Asian Music Ensemble, was able to share his political views via music last Friday night at 8 PM in the Goodwin Theater of the Austin Arts Center.
Run away! Run away! From your boring Friday or Saturday night plans and head down to Cinestudio to see Monty Python And The Holy Grail. Sure, you probably have it memorized by this point, but how often do you get to see it on the big screen, spiffed up with (gasp!) 24 extra seconds? I realize, it's true, that there are some depraved campers who have never seen it before.
Prize Winning percussionist, Joseph Gramley, will present a Multi-Percussion concert on Tuesday, November 19th at 5pm in the Trinity College Chapel. Since embarking on a solo career, Mr. Gramley has been active collaborating with fellow artists and performing with chamber groups and symphony orchestras.
By Cara Bertini '05 and Emily Malbon '05 1. "Take on Me", Ah-ha. One of the coolest music videos ever by a Norwegian band. Also, how the hell does he hit that high note at the end of the chorus? If anybody knows when he'll be gone (or, what he's actually saying), please let us know.
Frankly, I didn't know what to expect as I made my way to the musical performance at the Underground last Wednesday night. The almost bizarre looking flyers littered across Mather's basement had been calling to me all week. They displayed a rather uninterested Lucas Dunlap, holding on to his acoustic guitar.
Barreling down the street going with both ambulance and police sirens wailing in your ears, you take a sharp turn into a bright Miami street full of neon, only to realize that you're going a little too fast; the car spins, flips and starts to burn. As you begin to run from the wreckage, bullets streaming over your head, you wonder if your Member's Only jacket will get singed as the shockwave from the explosion knocks you to the ground, depleting any remaining health you had.
Walking into Studio 47 last Wednesday, you heard voices. And accordion music. Lisa Niedermeyer‚s dance performance started with an audio recording called "Reality Bytes," that created a mood of conversation and brought up several issues surrounding the concept of performance.